Two figures side by side against a salmon-pink wall, both in black cowboy hats, navy velvet jackets and silk scarves pinned with badges. The older one, in red lipstick, looks sidelong at the younger.

Do Not Fade

Quentin Crisp as you have never seen her.

Like Orlando before her, she was commanded not to fade. So she transformed.

The pitch

Quentin and Orlyn in the apartment, both in cowboy hats and velvet. He sits in the armchair; she leans toward him, chin on her hand, smiling. Play the pitch film

The film plays on YouTube.

The pitch deck sets out the film in full: the story, the look, the people making it and the plan.

Read the pitch deck

The story

Near the end of his life, Quentin Crisp is unmoored from time and gender by an apparition of Elizabeth I. Reborn as a young trans woman today, she finally meets The Great Dark Man, whose love she had believed impossible.

New York, 1999. Quentin Crisp is ninety and his apartment is filthy. He pours water into a dirty glass and looks in the mirror. Where his own face should be, he sees Queen Elizabeth I, and she gives him her line from Orlando.

The phone rings, as it often does. After all these years his number is still listed. As he sees it, the price of fame is infinite availability. A stranger is lost, and Crisp offers what wisdom he can: take what makes you most like yourself, polish it until it gleams, and put it where it will do the most good.

Then he checks himself in the mirror again and sees, at last, what he has always known was there. Young and beautiful, and wearing his clothes far better than he ever did. This is Orlyn Crisp. The phone rings. It is the stranger again. Twenty-six years have gone.

Poster. Lavinia Co-op as Quentin Crisp sits on the end of a narrow bed in a pink-walled room, in a black cowboy hat and velvet jacket, beside a small fridge with a globe on top.
Lavinia Co-op as Quentin Crisp
“Do not fade. Do not wither. Do not grow old.” Elizabeth I to Orlando, in the film Orlando. In Do Not Fade she says it to Quentin, from his bathroom mirror.

Cast and crew

Starring
Lavinia Co-opas Quentin Crisp
Lexa Rowleyas Orlyn Crisp
Elios K Douglasas The Great Dark Man
Directed by
Adrian Goycoolea
Written by
Adrian Goycoolea
Juliet Jacques
Produced by
Fox Fisher
Kirsten Stoddart
Director of photography
Dale Elena McCready BSC NZCS
Music by
Nick Hudson
Costume design
Izzi Valentine

A MyGenderation and Brickworks Media production

Lavinia Co-op

Quentin Crisp

Founding member of the radical drag troupe Bloolips and a living link to an era of queer liberation.

Lexa Rowley

Orlyn Crisp

Trans actress, best known for her breakout role in Netflix's Sex Education.

Elios K Douglas

The Great Dark Man

Deaf and trans-masculine actor, known for Heartstopper (Netflix) and the stage production of A Christmas Carol.

Adrian Goycoolea

Writer and director

An Associate Professor in Filmmaking. His films have been acquired by the BFI for its permanent collection and have screened at major international festivals, including Rotterdam, Frameline, BFI Flare and Chicago Underground.

Juliet Jacques

Co-writer

An acclaimed interdisciplinary writer and filmmaker, author of the groundbreaking Trans: A Memoir and a leading voice in trans cultural criticism, writing for publications like The Guardian and Sight & Sound.

Fox Fisher

Producer

An award-winning non-binary filmmaker and co-founder of MyGenderation, which has made more than 100 trans-led films. They have advised the BBC and BFI on trans representation and hold an Honorary Doctorate from the University of Brighton.

Kirsten Stoddart

Producer

Head of Production at Brickworks Media, with over eighteen years of experience across television, comedy, children's programming and feature film productions.

Dale Elena McCready BSC NZCS

Director of photography

A New Zealand-born television and feature cinematographer working internationally and based in the UK. Known for The Rising, Doctor Who, The Witcher, The Day of the Jackal and The War Between the Land and the Sea.

Izzi Valentine

Costume designer

A London-based multidisciplinary artist and co-founder of the Unfinished creative collective, with experience in art direction and costume for film, theatre and dance.

Nick Hudson

Composer

The creative force behind The Academy of The Sun. A British musician known for dark, cinematic compositions and for scoring films, including Derek Jarman's experimental Super 8 shorts.

Iain McCallum

Publicist

A seasoned talent manager and publicist whose extensive network includes high-profile actors and comedians like Christopher Eccleston and Steve Coogan.

Posters

Poster. A mirror above a grimy sink shows a red-haired Elizabethan queen in place of a reflection. Title: Do Not Fade, starring Lavinia Co-op and Lexa Rowley.
Wide poster. Lexa Rowley in the foreground and Lavinia Co-op behind, both in black cowboy hats, with the title Do Not Fade in lilac.
Poster. Lexa Rowley sits on the edge of the bed in a black cowboy hat and velvet jacket, beside a lamp with a bare bulb, a stack of books, a telephone and an alarm clock. Title: Do Not Fade.
Poster. Lavinia Co-op, in hat and velvet jacket, bends over an armchair in front of steel shelves full of books, with the window behind. Title: Do Not Fade.

News

  • Quentin's room is designed

    The East 3rd Street room has been reconstructed from a floor plan and photographs taken there in 1999, and drawn up as a studio set. The build comes next.

  • Crowdfunder closes on a little over £8,000

    The Crowdfunder campaign for Do Not Fade has finished, with a little over £8,000 raised. Thank you to everyone who backed the film.

  • Art sale raises over £3,000

    A fundraising art sale for the film at the Outsiders Gallery raised over £3,000.

Support the film

Do Not Fade is an independent short, paid for so far by its backers: a little over £8,000 through Crowdfunder and over £3,000 from an art sale. Follow the production as it goes.